Lives and works in Providence, Rhode Island.



2014 - PhD candidate, The Australian National University, Canberra ACT

2012 - MFA, Rhode Island School of Design, Providence RI

2002 - MA, University of South Australia, Adelaide SA

1995 - BA, University of South Australia, Adelaide SA


S E L E C T E D   S O L O   &  T W O - P E R S O N   E X H I B I T I O N S

KLOMPCHING GALLERY (New York, NY, USA): Excavations, 2016

New Mexico Museum of Art (Santa Fe, NM, USA): Thrice Upon A Time, 2012

KLOMPCHING GALLERY (New York, NY, USA): Thrice Upon A Time, 2012

The LightHouse (Wolverhampton, UK): As Above So Below, 2010

KLOMPCHING GALLERY (New York, NY, USA): As Above So Below, 2010

Lovells Gallery (London, UK): Attentional Landscapes, 2009

The Space (Brighton, UK): Attentional Landscapes, 2009

Three White Walls Gallery (Birmingham, UK): Attentional Landscapes, 2009

Durham Art Gallery (Durham, UK): Crash Markers and Attentional Landscapes, 2009


S E L E C T E D   G R O U P   E X H I B I T I O N S


Barrett Art Center (Poughkeepsie, NY): Photowork '17




Gold Coast City Gallery (QLD, Australia); Josephine Ulrick & Win Schubert Photography Award

Center for Photography at Woodstock (Woodstock, New York, USA): Photography Now 2016

Vermont Center for Photography (Brattleboro, Vermont, USA): Open Juried Exhibition


Photographic Center Northwest (Seattle, Washington, USA): Punctum: 20th Annual Exhibition

Center for Fine Art Photography (Fort Collins, Colorado, USA): Memories, Stories, Histories

Photofusion (London, UK): Experimental Photography

MacDonald Stewart Art Centre, University of Guelph (Ontario, Canada) Of Time and Buildings

State Library of South Australia (SA, Australia): Penumbral Tales

Griffin Museum of Photography (Winchester, Massachusetts): 21st Annual Juried Show

Asia Pacific Photobook Archive (VIC, Australia): Finalists of the Australian Photo Book of the Year


Hahndorf Academy (SA, Australia): Heysen Prize for Interpretation of Place

Caloundra Regional Gallery (QLD, Australia): Sunshine Coast National Art Prize

Pinnacles Gallery (QLD, Australia): DUO Magazine Percival Photographic Portrait Prize

Perth Centre for Photography (WA, Australia): IRIS Award

George Eastman International Museum of Photography (Rochester, NY): Of Time and Buildings


Museum of Contemporary Photography (Chicago, IL): Of Walking

Stadtische Galerie (Iserlohn, Germany): Face-to-Face


Galerie Huit (Arles, France): An Eye for an Ear

Philadelphia Photo Arts Center (Philadelphia, PA): 3rd Annual Contemporary Photo Exhibition

Photographic Resource Center (Boston, MA): Exposure 2012

Cohen Gallery, Brown University (Providence, RI): Alternate Terrains

Wall Space Gallery (Santa Barbara, CA and Seattle, WA): New Directions



Galerie Huit (Arles, France): Transience

International Print Center New York (New York, NY, USA): New Prints Autumn Exhibition

Gallery 1401, Philadelphia University of the Arts (Philadelphia, PA): Photo Review Best of Show

International Print Center New York (New York, NY, USA): New Prints Summer Exhibition


Photofusion Gallery (London, UK): AMPS/10

Center for Fine Art Photography (Fort Collins, CO, USA): Natural World


Artmazia (Massy, France): Annual Exhibition

Sheffield Institute of Art and Design Gallery (Sheffield, UK): Transfixed Motion / The Transitory Still

KLOMPCHING GALLERY (New York, NY, USA): Visual Morphology


University College London (London, UK): Beyond Words Festival

New Greenham Arts and the Corn Exchange (Newbury, UK): In Common

Bakehouse Art Complex (Miami Beach, FL, USA): Art Basel Miami Beach

Joyce Gordon Gallery (Oakland, CA, USA): Glimpses in Time

HOST Gallery (London, UK): Foto8 Awards & Summer Show

Newspace Center for Photography (Portland, OR, USA): Annual Juried Exhibition

Twenty Rivington (London, UK): ‘00 Nature

Keighley Arts Factory (Bradford, UK): Through the Lens

Old Town Gallery (Margate, UK): Margate Rocks Festival of Contemporary Art

BECA gallery (New Orleans, LA, USA): Mirror for the 21st Century


Alpan Gallery (Long Island, NY, USA): Alpan International



Museum of Contemporary Photography, Chicago, IL

George Eastman House International Museum of Photography and Film, Rochester, NY

New Mexico Museum of Art, Santa Fe, NM, USA

Other private collections


A W A R D S   &   P R I Z E S

Photolucida Critical Mass, Finalist, 2016

Director's Selection, Center for Fine Art Photography, Winner, 2015

International Photography Awards, 2x Honorable Mentions, 2015

Australian Photobook of the Year, Finalist, 2015

Heysen Prize for Interpretation of Place, Finalist, 2014

Sunshine Coast National Art Prize, Finalist, 2014

DUO Magazine Percival Photographic Portrait Prize, Finalist, 2014

IRIS Award, Perth Centre for Photography, Finalist, 2014

CENTER 2012 Project Launch Award ($5,000 USD), Winner, 1st prize, 2012

Lens Culture International Exposure Awards, Honorable Mention, 2011

Photo Review Photography Competition, Winner, 3rd prize, 2011

What’s Next? FOAM future of photography initiative, nominated by Erik Kessels, 2011

HotShoe Magazine Photofusion Photography Award, Winner, 1st prize, 2011

Magenta Foundation Flash Forward Emerging Photographers, Winner [UK], 2010

Px3 Prix De La Photographie, Winner, 2nd prize (Nature: Earth), 2010

International Photography Awards, 5x Honorable Mentions, 2009

Px3 Prix De La Photographie, Winner, 1st prize (People’s Choice Award), 2009

New York Photography Awards, Finalist, 2009

British Journal of Photography Project Assistance Award, Finalist, 2009

Terry O’Neill Award, Finalist, 2009

Pépinières Européennes Arts Organisation, Finalist, 2009

Magenta Foundation Flash Forward Emerging Photographers, Winner [UK], 2009

con.ceit $5,000 Corangamarah Australian Art Prize, Finalist, 2008


S E L E C T E D   F E L L O W S H I P S   &   F U N D E D   R E S I D E N C I E S

ILIRI Visiting Fellowship Research Resident Program, NSW, Australia, 2009

Can Serrat International Artist Center, Barcelona, Spain, 2008

Association of Icelandic Visual Artists, Reykjavik, Iceland, 2007


P U B L I S H E D   W O R K S   [ B O O K S   &   J O U R N A L S ]

Papersafe Memory, CatLABS, 2015 (limited edition of 100)

Diffusion Annual The Matter of Light, One Twelve Publishing, 2015

Flash Forward Tenth, Magenta Foundation, 2014

Transience, Ubyu, France. Foreword by Stuart Franklin, 2011 (limited edition of 750)

Mapping the Intelligence of Artistic Work by Anne West, Moth Press, 2011

Flash Forward Emerging Photographers 2010, Magenta Foundation, Canada

Flash Forward Emerging Photographers 2009, Magenta Foundation, Canada


S E L E C T E D   B I B L I O G R A P H Y

American Photo, "What's next for contemporary photo collage? Forging a unified vision in a fractured society", 23 January 2017, Comstock, Lindsay

The Art Couch, "Familiefoto's tot het abstracte verheven...intrigerend werk van Odetta England", November 2016, De Meyer, Frederic

Lenscratch, "Odette England:Excavations", 14 November 2016, Smithson, Aline

The Creator's Project, "Destroyed family photos reveal hidden truths in the art of Odette England", 27 October 2016, Nunes, Andrew

Lomography, "Manually manipulated vintage photographs by Odette England", 11 October 2016

GUP Magazine, "Excavations", 7 October 2016

Fraction Magazine (Japan), “Excavations”, Issue #19 2015

Musee Magazine, “Excavations”, Issue #13 2015

F-Stop, "Thrice Upon A Time", Where I Live (Issue 73) 2015

Fraction Magazine, "Excavations", Issue #78 2015

Alovebigas, "Thrice Upon A Time", August 2015, Cracknell, Robyn

F-Stop, "Develop Before", Open (Issue 72) 2015

Radio Adelaide, Interview with Dr Catherine Kenneally, Arts Breakfast, 18 July 2015.

The Adelaide Review, “Penumbral Tales: The shadows of society”, 16 July 2015, Llewellyn, Jane

Australia Art Monthly, “Processing the past”, Issue 274, October 2014, Kimber, Mark

Rochester City Newspaper, “Perception of people and place”, 7 May 2014, Rafferty, Rebecca

Der Greif, “Odette England’s Thrice Upon A Time, Empathy, and Worrying”, 7 February 2014, Barnes, Allison

Chicago Contemporary Art Seminar, "Of Walking, review", 15 January 2014

Chicago Maroon, “Of Walking: A Constitutional In Color”, 19 November 2013, Rodnianski, Ellen

Chicago Reader, “In Of Walking, Artists Amble Their Lives Away”, 15 October 2013, Gronvall, Andrea

American Photo, “Matthew Brandt Maintains the Physical Aspects of Photography”, 27 September 2013, Fredrickson, Lori

Feature Shoot, “Photographer Works with Battered Negatives to Depict Farm Life”, 12 November 2012, Diener, Barbara

Boston Globe, “Wide range on display at ‘Exposure 2010’”, 12 June 2012, Feeney, Mark

Fraction Magazine, “Thrice Upon A Time”, Issue 39, June 2012

Light Journeys, “Self Diagnosis”, August 2011

F-Stop, “Self Diagnosis”, All About Me (Issue 43) 2011

HotShoe International, “Hotshoe Photofusion Award”, Issue 170, Feb/Mar 2011, Gavin, Miranda

Spot, “Elaine Duigenan’s Micro Mundi and Odette England’s As Above So Below at Klompching Gallery (Brooklyn, NY)”, Vol. 28. No. 2, Fall 2010, King, Frazier

Ag, “Scene Around: Odette England”, No. 61, Autumn 2010

F-Stop, “As Above So Below”, Portfolio Issue (Issue 42) 2010, Terranova, Amber

British Journal of Photography, “Double Exposure Down Under”, 27 May 2010, Louth, Sean

NY Arts, “Redeemable Reminiscences”, Spring 2010

London Independent Photography, “Odette England: Attentional Landscapes”, No. 14, Winter 2009

Photographie, “Photographers of the Future”, December/January 2009, Noll, Ute

Law and More, “Lovells hosts eyesight themed exhibition for World Sight Day”, 8 October 2009

specs, “Attentional Landscapes”, Vol. 2, October 2009

British Journal of Photography, “Show and Tell”, 9 September 2009, Smyth, Diane

Griffin Museum of Photography, “Critics Pick – Odette England”, September 2009, Klomp Ching, Debra

Magenta Magazine, “Rhubarb Rhubarb Photo Festival 2009”, Vol. 1 No. 1, September 2009, Camilleri, MaryAnn

Birmingham Life, “Attentional Landscapes by Odette England”, April 2009

The Architects Newspaper, “Visual Morphology”, 5 March 2009

Soanyway, “Attentional Landscapes”, Vol. 1, 2009

a-n Magazine, “Snapshot”, February 2009, Meacher, Colette

Newbury Weekly News, “Opening Up Possibilities”, N2 supplement, November 2008

3 Quarks Daily, “Attentional Landscapes”, 16 November 2008, Raza, Azra

LensCulture, “Attentional Landscapes”, Vol. 18, September 2008

/seconds, “Crashes”, Issue 9, October 2008

London Independent Photography, “Odette England: Rush for Heaven”, No. 10, Summer/Autumn 2008, Noble, Laura

East Bay Express, “The Enduring Photograph”, Arts & Culture, 13 August 2008, DeWitt, Cheng

Ag, “Scene Around: Odette England”, No. 51, Spring 2008


S E L E C T E D   G U E S T   L E C T U R E S   &   P R E S E N T A T I O N S

Art Gallery of South Australia

Brown University

Rhode Island School of Design

Stanford University

State Library of South Australia

University of Melbourne

University of South Australia